Michael Jackson’s intentions towards his first wife Lisa Marie Presley have been brought into question by his former personal maid, Adrian McManus.
According to McManus, who worked closely with the King of Pop for four years at his Neverland ranch, Jackson never truly loved Presley but saw her as a means to acquire her legendary father Elvis Presley’s vast music catalog.
McManus sheds light on the short-lived relationship between Jackson and Presley, supporting claims made by James Safechuck in the HBO documentary Leaving Neverland.
Safechuck alleged that Jackson admitted his relationships with women were merely for public display and not genuine.
Jackson purportedly confided in Safechuck about the need to be seen with women, portraying a facade of romantic involvement.
The motive behind Jackson’s union with Presley becomes clearer in McManus’s account.
She reveals that Jackson, following a costly settlement with his first accuser Jordan Chandler, strategically married Presley to project a sense of normalcy to the world.
McManus discloses that Jackson had plans to seize control of Elvis Presley’s fortune and the rights to over 1,000 of his songs.
A note found in Jackson’s possession indicated his desire to acquire Elvis’ song list, suggesting a calculated business move.
Despite Presley’s genuine feelings towards Jackson, McManus believes she was misled by Jackson’s ulterior motives.
The maid expresses sympathy for Presley, noting that she may have been unaware of Jackson’s true intentions.
McManus recalls instances where Jackson’s actions seemed orchestrated, such as displaying notes focused on business goals, including obtaining Elvis’ music catalog.
McManus further alleges that Jackson and Presley’s marriage lacked genuine intimacy, with no evidence of a physical relationship.
She describes a scenario where she was tasked with preparing a bed that bore signs of staging, indicating a lack of authenticity in their interactions.
According to McManus, Jackson strategically maintained a separate space for boys in his life, separate from Presley, highlighting his alleged manipulation tactics.
Jackson’s purported agenda extended beyond his personal relationships, delving into his strategic acquisitions in the music industry.
McManus draws parallels between Jackson’s intentions towards Presley and his previous actions towards Paul McCartney regarding the Beatles catalog.
She portrays Jackson as a cunning businessman with a ruthless streak, driven by ambition and a desire for control.
Despite Jackson’s calculated efforts, he ultimately failed to secure any rights to Elvis Presley’s music catalog.
Following Elvis Presley’s passing, the rights to his music remained under ‘The Elvis Presley Trust’, with Lisa Marie Presley eventually becoming the sole beneficiary.
Jackson’s alleged quest to attain Elvis’ songs through his marriage to Presley did not come to fruition.
McManus’s insights shed light on the intricate web of relationships and motivations surrounding Michael Jackson and Lisa Marie Presley.
The narrative crafted by McManus unveils a complex tale of strategic maneuvers, hidden agendas, and the intersection of personal relationships and business ambitions.
Through her accounts, a deeper understanding emerges of the dynamics at play within the inner circles of music icons like Jackson and Presley.
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